Somebody Blinked

As noted earlier, BCBS started a small revolution with their plan to eliminate payment for out of network surgeons in the 2009 FEHB program. (That’s the most popular plan for federal workers.) Lots of finger pointing between BCBS and OPM over who’s idea this was, but no one was willing to back down, despite the approaching end of the open season for employees to choose. This change came to light fairly late in the process as some began to read the fine print in their contracts. Those marching in the streets wanted to rescind the proposal or extend the open season to give employees more time to evaluate choices. Those in power wanted neither but eventually relented and extended the season one month. What’s the skinny here? BCBS and OPM maintained they were just trying to protect patients from large bills from out of network surgeons. They did offer a cap on individual expenses of $7,500 per surgeon, per operation. Rather like a high deductible health plan with no matching savings account. Employees saw this as a decrease in benefits (with an increase in premiums), since BCBS would pay nothing in 2009, whereas they paid something in 2008. There is a little smoke and mirrors here. If they were sincere about capping patient expenses, they could have done that but left their out of network reimbursement the same as 2008. Sorry fellas. On the other hand, if you’re dedicated to lowering expenses for healthcare, you gotta luv em. The basic idea is to force patients to use network surgeons, where BCBS can negotiate (read “control”) fees. Those surgeons who choose not to join the network will find themselves without BCBS patients, and that’s a major segment of the local population. No numbers yet, so the outcome is a guess. Mine is that anyone remotely contemplating surgery will switch to another plan. Inertia will preserve many BCBS patients. No major effect. This year. Next year, other plans will adopt the same strategy. Next next year, this policy will be extended to all providers, not just surgeons. This is just the first shot across the bow in a quiet war on physician fees.Why? If you balance all the cost factors in U.S. healthcare against systems in other industrialized countries, one major difference surfaces: we pay our doctors--particularly surgeons--more than anyone. There are other drivers of healthcare expenses, and technology is the number one cost factor overall, but physician fees are right up there. So what’s the poor doc to do? How can he keep gas in the Ferari if no one will pay his fees anymore? Well, not quite no one. Many are dropping all insurance and opting for boutique medicine. I used to pay $1,000 a year to keep my Lexus running, so why balk at $800 for my primary care provider visit? This may work in Washington, but what about Peoria? (My favorite small, midwest town.) Another solution is to become more efficient, so you can see more patients in a day. Other industries have done this. There are people who make their living by improving processes, and there are even some healthcare examples. Look on the ASQ web site for books about healthcare and “Lean.”For surgeons, demand efficiency in your hospital. Do your cases always start on time? Always? Does the circulating nurse have to leave the room to get something that was missing? Is there a time in the OR when the patient is there but nothing is really happening to the patient? How long does it take? Does anyone do it faster? Try benchmarking the speedier spots.Expect more pressure on physician fees, starting with specialists but eventually extending across the board. There will also be intense scrutiny on technology--those weird and wonderful new toys and techniques that cost more to do the same job, or maybe just do a job that not everyone thinks needs to be done. How much is it worth, and who is going to pay?

Jane Wyman In the 30's & 40's

EY has a day off due to a missing file. The Jane Wyman book section is more interesting than usual because her career started later than most of the actors adn actresses in this series. That means that writers who generally don't appear in the other selections make their appearance.gdh4/21/1934 HCN HORTON'S TREE HAVEN GROWING In Hollywood where hobbies and such things go to extremes, Edward Everett Horton today was revealed as the record-holder for some time to come. For the comedian, now appearing in B.P. Schulberg's Kiss and Make Up at the Paramount studios, has the unique hobby of buying old trees. Not only that, he saves then, grows them and personally supervises the care of them himself. He frankly admits he doesn't know how he ever conceived the idea for such a hobby, but it started several years ago when he learned that some fine old shade trees that lined Melrose Avenue in Hollywood were to be destroyed in a street widening project. Owner of a bare, 80-acre ranch near Van Nuys, Horton decided to convert it into a transplanted forest, a sort of haven for old trees. Two of his prized possessions are the famous old Japanese plum tree that stood for a half-century on Wilshire Boulevard where a large department store now stands. Other trees with a history are the large oleander tree that stood at Figueroa and 47th streets; four crepe myrtles that shadowed the corner of 3rd and Alvarado for 25 years; several palms that were condemned during the Cahuenga Avenue extension; and a 100-year old oak that was brought from Newhall. The latest additions to the Horton tree-farm are two holly trees more than 150 years old and a magnolia tree that stood at the intersection of Laurel Canyon and Ventura Boulevard. His hobby is rather costly, Horton admits, but he believes it's well worth the expense. He has paid as high as $250 for a tree, but the average cost is around $75. The uprooting, crating and replanting of the trees is but part of the cost. He frequently calls expert tree surgeons to nurse some valuable old tree that shows signs of expiring after its unnatural journey. His ranch now has more than 450 trees on it.Jane Wyman In the 30's & 40's8/19/1936 HCN Elizabeth Yeaman Barton MacLane and Glenda Farrell, both tough characters in their particular screen field, are now to be made a team by Warners. The two have been cast together in the leads of No Hard Feelings. Glenda will have the role of a private detective. Others in the cast are Winifred Shaw, Craig Reynolds, Joseph Crehan and Jane Wyman. Frank McDonald will direct, starting Monday.11/21/1936 EHE Previews By Jimmy Starr Smart Blonde Rating: Good Produced by Warner Brothers. Starring Glenda Farrell. Directed by Frank McDonald. Story by Frederick Nobel. Screenplay by Don Ryan and Kenneth Gamet. Harry Seymour, dialogue director. Photographed by Warren Lynch. Supervised by Bryan Foy. A murder mystery with a new kind of twist quite accurately describes this happy combination of high farce and chill-getter, Smart Blonde. Sure-fire Glenda Farrell, who has yet to give an indifferent performance, clicks away nicely as Torchy Blane, ace newspaper gal who has a mind of her own–of the super-sleuth, gabby sort–a large flock of wisecracks at her command and a great deal of that go-get-it spirit. Breezily directed by Frank McDonald, this little movie should go out and entertain all types of audiences. It's chuckful of fun, a you-can't-guess-it mystery and several bang-up performances by Addison Richards, George Lloyd, Tom Kennedy, David Carlyle, Winifred Shaw, Barton MacLane and others. Outstanding is a pretty newcomer by the name of Jane Wyman, who snaps out the neatest bit of comedy seen in a long time. She's going places. Joseph Crehan, Craig Reynolds, John Sheehan and Max Wagner all turn in brief but good performances. As is her custom, Glenda walks away with the honors in first-rate style. I understand she'll do a series of these yarns – and that's good news for the movie fans.12/26/1936 EHE 10 Greatest Discoveries of 1936 1. Robert Taylor 2. Simone Simon 3. The Ritz Brothers 4. Deanna Durbin 5. Sonja Henie 6. Jane Wyman 7. Tyrone Power Jr. 8. Mischa Auer 9. Reginald Gardner 10. Martha Raye5/3/1937 LAX Behind the Makeup By Erskine Johnson Plotless Dialogue: Jane Wyman: "I'd rather buy shoes than anything else. I like to have my feet on the ground in style."5/29/1937 EHE Previews By Jimmy Starr Kid Galahad Rating; Splendid Produced by Warner Brothers, Co-starring Edward G. Robinson and Bette Davis. Directed by Michael Curtiz. Story by Francis Wallace. Screen play be Seton I. Miller. Photographed by Tony Gaudio. Hall Wallis, in charge of production. The inner workings of the prize fight racket ordinarily might only appeal to those interested in the muscle men of the squared circle, but the Warner film, Kid Galahad, packs just as neat a feminine punch as any heavyweight blow ever zinged in the ring. Many a fine story of a boxer's life has come out of Hollywood, but Kid Galahad has that extra bit of socko "umph" to send it across and make it one of the real hits of the season. Personally, I think it is the best of "Battle of the century" stories. Loaded with action and personalities to match, it directorially assumes a three-ring circus stride in swiftness and punchy situations. Edward G. Robinson and Bette Davis turn in some of their best work. Eddie has the robust role of the fight manager who does all the thinking for his boxers, Bette is the girl friend whose feminine intuition clicks off many a coup for the man she loves. Bette's a grand actress. She doesn't miss a trick. You'll like this new Warner "find," Wayne Morris. He's got something...a certain naive quality and easy naturalness that will send him a long way on the cinematic path. A little newcomer for whom I've already predicted success is pretty, pert Jane Wyman. She possesses a winsome wholesomeness that is most intriguing. Humphrey Bogart makes an extremely convincing killer out of the rival fight manager's role, and, as usual, gives a sterling performance. Harry Carey, too, shines as the trainer in a brief role. Director Curtiz megaphoned the yarn with all the zip of a buzz-saw, snipping off suspense-filled situations in rapid-fire succession. My printed plaudits for his especially fine efforts. Kid Galahad will keep you guessing and cheering to the last punch. It's socko, and wins a Starraveroo!6/17/1937 LAX Louella O. Parsons From the Queen of the Angels Hospital comes word that Jane Wyman, who collapsed in the projection room at the Warner Studio, is much improved and that she will be all right after a couple of weeks rest.6/17/1937 EHE SLIM Slim--Opened at Warners' Hollywood and Downtown theaters June 16. A Warners' picture. Directed by Ray Enright. Novel and screen play by William Wister Haines. Photography by Sid Hickox, ASC. CAST: Pat O'Brien, Henry Fonda, Margaret Lindsay, Stuart Erwin, J. Farrell MacDonald, Dick Purcell, Joseph Sawyer, Craig Reynolds, John Litel and Jane Wyman. By W.E. Oliver The friendship of two men is set against the terror and beauty of an obscure calling in Slim, a new film from Warners' studio which creates some amazing drama with a simple story, unassuming events and breath-taking camerawork. You may see this effective combination on Warners' Downtown and Hollywood screens. The calling is that of the linesmen who put up the transmission towers and string the copper cables which carry power and light from the mountains to homes and industry. The friendship is between a man and a youth who takes the job of "grunt" or groundworker for these brawny aristocrats of a dangerous calling and who fights his way up to a place on the towers for himself. MEN AGAINST DEATH The drama is the fight of these men against sudden death and the hardships of their calling. The events are the daily occurrences of these men, their sickening falls from a perch in a storm 200 feet high, the flash of 80,000 voltage current which turns them into a black cinder, the small part of comfort they get out of it. For his lens, the cameraman had some of the most unusual scenes to work with, strange designs of steel against the sky, shot in wild country. The wonder is how the production achieved many of these photographic scenes. Pat O'Brien and Henry Fonda play the central characters. The older man, reckless and human, is cut exactly to the measure of O'Brien. He gives it strong conviction coming closer than any actor I have seen to the feeling of a worker and his tools. Fonda's role is more complex, a character study. The pair of them make a good team. THREAD OF ROMANCE The thread of romance is carried by Margaret Lindsay, playing the nurse who tries to get them to give up their dangerous job, but who capitulates when she falls in love with Slim the younger and accepts the jittery job of being a lineman's wife. Stuart Erwin plays a comedy role, the helper who wouldn't get off the ground. His character is touched up with a string of humorous folk lore sayings. J. Farrell MacDonald, as the gang boss, is another strong character. All of them portray a story that should interest and hold you whether you work behind a desk, with your hands or play polo to kill time. There is not a jarring note in any of the performances. Slim is among the best of the rare occupational pictures. It is as real as you'd want. Directors Ray Enright and the studio production crew are entitled to plenty of plaudits for their part. Smart contrast to this excellent film is Rhythm in the Clouds, a fast moving radio farce, pairing Patricia Ellis and Warren Null, also on the hill, along with an amusing Looney Cartoon and other short films.6/17/1937 HCN Slim By James Francis Crow At least this much is true of Slim, the new film attraction at the Warner Bros. Hollywood and Downtown theaters--namely, that it is one of the season's most unusual pictures. It achieves this distinction, curiously, by reason of its innate simplicity. It is the simple story of two men whose lives revolve about the simple facts of having a good job of work to do, and of doing it well. These two men are power linemen. They erect the tall towers from which are suspended the cables distributing electricity throughout the nation. They move from camp to camp, commanding, as experts in their craft, the respect of fellow workmen everywhere. Occasionally they interrupt their workaday routine with a trip to the city and a round of the night clubs. Now and again a fight provides a lively interlude. But nothing, not even the romance which sets the two men against each other as friendly rivals, serves to cure them of their absorption in their job. Eventually one of them gives his life for his work. It is a simple story--in fact, too simple. The quality which was a virtue in the original best-selling story by William Wister Haines becomes a fault in the film version, for a drama is by nature complicated and involved. The complications which have been effected in the photoplay seem artificial, alien, labored and far-fetched. And the film's total impression is that of dramatic vacuity, in spite of its refreshing difference from run-of-the-mill movies, and in spite of solid performances by Pat O'Brien and Henry Fonda as the two workmen. Haines himself prepared the scenario from his own novel. Margaret Lindsay has the heroine's role, and Fonda playing the title part, and O'Brien appearing as his staunch friend and luckless romantic rival. Other players are Stuart Erwin, Dick Purcell, Joseph Sawyer, Craig Reynolds, and J. Farrell MacDonald. Ray Enright was the director. The companion feature on the dual bill at the two Warner houses is Rhythm in the Clouds, a Republic production featuring Warren Hull and Patricia Ellis under the direction of John Auer.6/17/1937 LAX Slim By Louella O. Parsons A Warner Brothers picture, produced by Hal B. Wallis, associate producer, Sam Bischoff; directed by Ray Enright; story and screenplay by William Wister Haines; music director, Leo F. Forbstein. Presented at Warner Brothers Hollywood and Downtown theaters. Intensely human–someway different–and with plenty of pictorial interest and action, Slim is one of the better motion pictures. Now who would ever suspect that the glorification of a lineman, the hero who risks his life by working on high tension wires under the most hazardous conditions, would offer such exciting melodrama and such unexpected comedy situations. Slim, you can take my word for it, will rank with the top money getters, for it's the fresh type of picture play that appeals to the paying customers. Henry Fonda in the title role has never done a finer piece of work. A simple country boy, he yearns to be a lineman and really haunts a construction job until he gets an opening. His pal is Red, a man whose adventurous camps and who never settles down for any length of time. Pat O'Brien is splendid as Red–so real, so vital and so believable. Only an actor of Pat's versatility and ability could play the adventurous lineman who talks little but acts fast and is utterly fearless. One of the interesting things about the picture is its pictorial quality–the scenery, the transmission station and the terrifying maze of hot wires which calls for expert lineman. Splendidly produced and excellently photographed, Slim is in a class by itself when it comes to real thrills and excitement. The two men, Slim and Red, become inseparable, and when they are both fired they travel through the desert to Chicago, where Red's girl friend makes a happy threesome. Margaret Lindsay plays the nurse, the girl whom he likes and admires but not well enough to give up his hazardous career. Miss Lindsay plays her role with warmth and sincerity, in fact, she is unusually good. One of the outstanding characterizations is offered by Stuart Erwin as the lazy ground helper who cannot be persuaded to join the linemen in their up-in-the-air jobs. Stu is very funny and is responsible for some of the big laughs. J. Farrell MacDonald, line foreman, is another player who helps give this vigorous yarn reality. William Wister Haines has adapted his own story–maybe that is why it is so good–and Ray Enright has done a beautiful job of directing. In fact, all of the Warnerites, including Sam Bishcoff, producer, can feel proud of this day's work, for Slim is a really worth while picture and one we advise you not to miss. A merry little musical Rhythm In the Clouds, with Patricia Ellis and Warren Hull, gives the audience its money's worth this week at both Warners Downtown and Hollywood theaters.7/1/1937 FD The Singing MarineWarners 1 Hr., 45 Mins. Swell summer show with lots of color and music and Dick Powell's singing featured. This is mostly Dick Powell, for he is in evidence the greater part of the time, and he seems to be singing more than in any of his other pictures. In any event it is a fine show for the younger element, for it is filled with the spirit of youth and song and laughter and love. And that about makes up the requirements for this musical-comedy type of entertainment. Powell is in the Marines on the West Coast, and on his furlough the members of his company make up a purse so he can go to New York and make a stry for the Amateur Radio Hour contest as the Singing Marine. Doris Weston, who has won the local beauty contest, also goes along. Dick goes over big on the program, while Doris flops, with nervousness. Then into the business of being skyrocketed to fame by Hugh Herbert as his manager, going kind of ritzy on the old Marine gang who resent it, and finally the marine division is shipped to Shanghai. Powell and Doris as his secretary go along on another steamer with a couple of his oldtime Marine pals who are still sore at his conduct. In Shanghai Powell gets his own night club, which he turns over to Ma Marine (Jane Darwell) when she loses her club through financial reverses, and so reestablishes himself as a regular guy with the Marine outfit. It is pepped up all the way with snappy lines, good comedy, plenty of catchy music and Dick's singing. Also plenty of good looking gals. Powell is at his best. Doris Weston is very charming. Hugh Herbert kicks in with his funny antics. Larry Adler does some remarkable playing on the harmonica. Directed by Ray Enright with snap and fine pace. CAST: Dick Powell, Doris Weston, Lee Dixon, Hugh Herbert, Jane Darwell, Allen Jenkins, George (Doc) Rockwell, Larry Adler, Rose King, Marcia Ralston, Guinn Williams, Veda Ann Borg, Jane Wyman, Berton Churchill, Eddie Acuff, Henry O'Neill, Addison Richards, James Robbins, Miki Morita, Pierre Watkin. Director, Ray Enright; Musical Direction, Busby Berkeley; Music and Lyrics, Harry Warren, Al Dubin. Direction, Very Good. Photography, Excellent.8/2/1937 HCN Elizabeth Yeaman The lead opposite Boris Karloff in Without Warning is no goofy that Marie Wilson wins the assignment in place of Jane Wyman, who was previously set. This is a murder mystery perpetrated in a government arsenal, and Karloff will play a straight role, sans horror make-up. John Farrow is to direct, beginning tomorrow. That means he cannot accompany his wife, Maureen O'Sullivan, to England., when she sails shortly to become Robert Taylor's leading lady in A Yank at Oxford.8/12/1937 LAX Mr. Dodd Takes the Air A Warner Brothers picture, produced by Mervyn LeRoy, directed by Alfred E. Green, screenplay by William Haines and Blaine Ryan, from the novel by Clarence Burlington Kellan. Showing at Warner Brothers Hollywood and Downtown theaters. CAST: Kenny Baker, Frank McHugh, Alice Brady, Gertrude Michael. By Dorothy Manners Mr.Dodd Takes the Air is another way of saying that Mr. Baker (Kenny) takes the screen and both Mr. and Dodd and Mr. Baker fare very well indeed in the radio favorite's first starring picture for Mervyn LeRoy which opened the new bill yesterday at both Warner Brothers Hollywood and Downtown theaters. Mervyn LeRoy has chosen well in selecting Clarence Budington Kelland's human little story of a small-town boy who makes good over the big-time airwaves as the setting for the debut of his popular crooner. Baker is sure to be a big hit, which is not entirely due to his charming voice, either. He is natural and at ease in a semi-romantic, semi-comic role, presenting something new in screen heroes. When he sings four swell numbers, "Remember Me," "Am I In Love?" "The Girl You Used to Be" and "Here Comes the Sandman," he is fan-mail bait of the first order. Not far behind in interest is pretty Jane Wyman, another newcomer, who is delightful as Kenny's screen sweetheart striving to save him from the clutches of two New York sirens (Gertrude Michael and Alice Brady) and a big head after success comes his way. These two youngsters are an attractive young romantic team that will bear a repeat engagement. The supporting cast is exceptionally good with Alice Brady stealing top honors as the temperamental prima donna who who sets her trap for the crooner, but catches his manager, amusingly played by Frank McHugh. Miss Brady is a wow doing a parody on "O Mio Fernando." Gertrude Michael's portrayal of the society charmer is pointed a little too high. Director Al Green deserves particular credit for the natural and unassuming quality of the entire film and scenarists William Wister Haines and Elaine Ryan have aided and abetted the good work with a script filled with human interest gags. All in all, Mr. Dodd Makes the Air is a picture that should rate strong with the whole family from Grandma down to Jr. The second feature on the bill, White Bondage, lived up to its billing by "smashing the chains of a fearsome slavery," resulting in so-so dramatic entertainment. Jean Muir and Gordon Oliver are featured in this Warner Brothers picture directed by Nick Grinde.11/6/1937 CHIC GOWNS FEATURE PREMIERE By Elaine St. Maur 'Neath a heavy-hanging canopy of sweet-scented flowers and surrounded by the fantasy of a South Sea Island village created in the forecourt of the Carthay Circle Theater, prominent members of motion picture, social and political circles gathered last night laden with leis, to witness the premiere of The Hurricane, Samuel Goldwyn's saga of tropic climes. Here, in a suffusion of light and color was the marked contrast of simple native charm and our sophisticated civilization—their sarongs against our scintillating evening gowns. Yet they blended harmoniously and beautifully. Glimpsed as they moved through the throng, midst the groups of native Polynesian dancing girls, who swayed to the strains of an orchestra, were many chic and beautiful women. Among them, and the gowns that they wore, were: Dorothy Lamour, the film's leading lady, who chose a gown with a bodice of iridescent sequins and a very bouffant tulle skirt of brilliant blue. With this costume she wore a wrap of white fox. Sonja Henie in a gown of gold lame worn with white ermine coat bordered with silver fox and a corsage of orchids. Annabella in a picture dress of blue wool crepe worn with a silver fox cape. Joan Crawford, white chiffon gown under luxurious white fox wrap. Evalyn Knapp, Wallis blue velvet gown fashioned in Empire style, with high bodice of silver lace. Wrap of white ermine. Mrs. Paul Kelly, black taffeta printed with tiny gold figures. Wrap of red fox furs. Mary Astor, silver brocade gown with emerald piping at hem. Belt of green satin and rhinestones, very short jacket of silver lined with green, wide cuffs faced with white fox. Billie Burke, Gray satin dress and slippers with a blue fox cape. Norma Shearer, white sequin full-length coat with huge matching white sequin purse. Jane Wyman, eggshell flannel gown, green accessories and a green flannel wrap. Rosemary Lane, white draped gown with a silver fox coat. Priscilla Lane, ceil blue net frock with a white ermine wrap. Lola Lane, Alix model of black jersey worn with a black skunk coat. Madge Evans, silver blue heavy crepe dress with a full length coat of black velvet with ermine sleeves. Lupe Velez, a gown of deep red, the bodice of sequins and the bouffant skirt of tulle. A long silver fox cape. Mrs. Neil Hamilton, black crepe gown with gold sequins at the throat and waistline. Baum marten coat. Irene Dunne, gold tissue cloth gown fashioned with full skirt and square neckline. Full length sable wrap. Eve Arden, chartreuse jersey gown with sable wrap. Mrs. John Carradine, Nile green velvet princess gown with kolinsky wrap. Gloria Stuart (Mrs. Arthur Sheekman) a plum-colored satin empire gown with full length coat of gold lame. Mrs. Robert Leonard, red silk kersey gown trimmed with gold pallettes.12/23/1937 EHE Jimmy Starr Joe E. Brown was kidding Jane Wyman about being a good bet for the Scarlett O'Hara role, and along came director George Cukor who asked her to make a test!1/8/1938 EHE Sally Frank Moore Jane Wyman receiving guests at home after her two weeks sojourn in the hospital.3/3/1938 LAX Scandal Street By Harry Friedman Joaquin Garay, singing stylist, and quips about the Los Angeles "mist" featured yesterday's opening of the new Orpheum stage show. The audience, which waded through flooded streets for the first show, found the bill–or maybe it was the dry comfort of the theater–to its liking, for all acts were well applauded. The Galli Sisters, child singing trio, and Large and Morgner, one-legged acrobats, have been held over from last week. The Gallis sang several medleys, including one of George Gershwin tunes. Large and Morgner, with one pair of legs between them, repeated last week's difficult hand balancing feats. Garay, who helped popularize "The Man on the Flying Trapeze" several years back, included a Spanish rhumba number in his selection of clever numbers. The current rage of Edgar Bergen and Charlie McCarthy has helped boost other ventriloquists to popularity. "Professor" Frank Gaby and his dummy, an Irish looking gent like Charlie, were a comedy success. Billie Curtis, diminutive man, who recently married a six-foot woman in Florida, is also in the act. The Moran Brothers, tap dancers, worked hard at a drunk routine. Al Lyons and his trusty band rendered a tuneful Hawaiian medley, including "Sweet Lelani," in addition to the regular opening musical stint. On the picture part of the bill are Scandal Street, with Lew Ayres and Louise Campbell, and The Spy Ring, with William Hall and Jane Wyman.5/4/1938 LAX Sinners In Paradise A Universal release of a James Whale production. Directed by James Whale, associate producer, Ken Goldsmith; screenplay by Harold Buckley, Lester Cole and George Robinson from an original by Harold Buckley. Showing at Pantages Hollywood and RKO-Hillstreet. THE CAST: John Boles, Madge Evans, Bruce Cabot, Marion Martin, Gene Lockhart, Nana Bryant, Charlotte Wynters and Willie Fung. By Sara Hamilton A widely diversified bill, with adventure and comedy running side by side, is offered at the Pantages and RKO-Hillstreet theaters this week. The adventure is found in Universal's picture, Sinners in Paradise, a story of love and intrigue on a far-off Pacific Island. When a Clipper plane is wrecked, the passengers, an odd assortment of individuals find shelter on the isle of paradise. Among the passengers are Madge Evans, a nurse running away from an unwelcome marriage; Gene Lockhart, a shady politician; Charlotte Wynters, a self-centered heiress; Bruce Cabot, a gangster, and several other characters of thoroughly soiled reputations. On the island the passenger find John Boles, a doctor who has fled from scandal and his servant, Willie Fung. With the aid of Boles the group organizes itself in a self-governing band. There are barbs of wit and humor, cozy sallies of social satire, and sufficient drama to keep the story alive. Stress is laid on the psychological effect of the simple life on each character before rescue comes. The romance between Madge Evans and John Boles is neatly laced into the tale. Equally entertaining is Joe E. Brown's latest comedy, Wide Open Faces, which, alas, has nothing to do with the famous gap in Mr. Brown's countenance, but deals, instead, with Joe E.'s attempts to share the limelight with a famous crook. As a small town soda jerker, Joe meets Stanley Fields, a notorious bank robber, who induces the soft-hearted hick to drive him to a deserted country inn. Before our soda jerking friend can oblige, up steps the "G" men and walk off with Mr. Fields. Next day Joe's picture in the papers attracts the attention of all the bad men for miles around who are convinced Joe is an accomplice of Fields and is hiding the stolen money. The flood of visitors to the town following Joe's publicity helps put over the new inn in fine style and also aids Joe E. to get deeper and deeper into trouble. Jane Wyman as the object of Joe's affection is pert and cute, while her aunt, Alison Skipworth, turns in a first-class performance. The late Lyda Roberti, Alan Baxter, Lucien Littlefield and Sidney Toler keep the fun rolling. There have been funnier Brown comedies, but at least this one contains enough laugh provoking situations to keep everyone in good humor.5/28/1938 MPH WHAT THE PICTURE DID FOR ME Wide Open Faces: Joe E. Brown, Jane Wyman—Disappointing. Joe has had much better story material. Running time, 67 minutes. Played May 6-7.—Frank Templin, Strand Theatre, Kendallville, Ind. General Patronage. 6/11/1938 MPH WHAT THE PICTURE DID FOR ME Mr. Dodd Takes the Air: Kenny Baker, Jane Wyman—Used this on a double bill and it please.—George Khattar, Casino Theatre, Whitney Pier, Sydney, Nova Scotia, Canada. General Patronage.6/18/1938 MPH WHAT THE PICTURE DID FOR ME Wide Open Faces: Joe E. Brown, Jane Wyman—Joe really made good in this one. Joe as a small town soda jerk is typical. As a comedian, great. Running time, 67 minutes. Played May 15-16.—R.W. Crickmore, Rainbow Theatre, Newport, Wash. General Patronage.7/23/1938 MPH WHAT THE PICTURE DID FOR ME Wide Open Faces: Joe E. Brown, Jane Wyman—Here is a fine entertaining picture that failed to do business. I believe it should be played on the weekend.—Harland Rankin, Plaza Theatre, Tilbury, Ontario, Canada. Wide Open Faces: Joe E. Brown, Jane Wyman—This picture did way above average business and pleased generally.—E.C. Arnold, Avon Theatre, Hillsboro, Kansas. Small Town Patronage.8/12/1938 SFC FRATERNITY PINS Jane Wyman has a necklace made from fraternity pins given her when she was a co-ed in Missouri.8/20/1938 MPH WHAT THE PICTURE DID FOR ME The Spy Ring: William Hall, Jane Wyman—O.K. for the action fans.—Roy W. Adams, Mason Theatre, Mason, Mich. Small Town Patronage.8/20/1938 SFC Hedda Hopper Jane Wyman in The Crowd Roars is as cute a piece of femininity have rested on in a long time.8/25/1938 HCN The Crowd Roars By Carl Combs MGM furthers its virility build-up campaign for Robert Taylor in The Crowd Roars, a sturdy action picture of a prize fight career, which opened yesterday at Grauman's Chinese and Loew's State theaters. The drive is to erase the "pretty boy" stigma from the Taylor brow was begun in A Yank at Oxford, and its continuance in the new Taylor movie is almost as successful as it is drastic. Taylor in fighting trunks and, for the most part, in seedy attire is a far cry from the screen idol publicized on the billboards not so long ago as the "Garbo Loves Taylor" man. As a prize fighter of the Gene Tunney ilk (he reads "The Rise and Fall of the Roman Empire" and "The Outline of History"), Robert Taylor does a creditable job, a fact attested by the girlish gasps and boyish cheers that issued from yesterday's matinee audience at the Chinese. The star is well heeled with the kind of support that MGM is willing to provide him: namely, Maureen O'Sullivan, Edward Arnold, Frank Morgan, Lionel Stander, William Gargan, Jane Wyman and Nat Pendleton--any of them can stand fairly well alone. The screen play of The Crowd Roars has a good share of interesting, if not altogether fresh angles. It starts off with Tommy McCoy as a youngster already burdened with a father who is a drunk and a dead-beat. It brings Tommy into the fighting world, has him kill his former mentor in a ring mishap, then leads him into the intrigue of the sporting gamblers and a love affair with the daughter of a big-time gambler who holds the fighter's contract. Father's gambling interests, however, are unknown to the girl. A typically rousing prize fight climax wherein Tommy is about to throw the bout to save his sweetheart and father from a disastrous plot, puts a disappointing cap on the film. Morgan gives a smart Morgan-esque performance as Tommy's erring father who reforms and sacrifices; Arnold is the gambler in a smaller role than usual; Stander is the father's trainer, and a neat little part of a giddy school girl is that of Jane Wyman. Richard Thorpe directed the picture, and Sam Zimbalist is the producer. Companion feature on the bill at both theaters is Keep Smiling, a 20th Century-Fox film with Jane Withers, Gloria Stuart, Henry Wilcoxon and Helen Westley.8/25/1938 LAX The Crowd Roars An MGM picture produced by Sam Zimbalist, directed by Richard Thorpe. Screen lay by Thomas Lennon, George Bruce and George Oppenheimer from a story by George Bruce. Currently showing at Loew's State and Grauman's Chinese theaters. THE CAST: Robert Taylor, Edward Arnold, Frank Morgan, Maureen O'Sullivan, Lionel Stander, Jane Wyman, Nat Pendleton. By Erskine Johnson Robert Taylor's transition from a great lover into grimacing, fist-slinging Killer McCoy, in a lusty drama of prize fighting is one of the most believable performances we've seen on the screen in years. The transformation occurs in a picture filled with triple A entertainment, The Crowd Roars, which opened yesterday at Loew's State and Grauman's Chinese theaters. Bloody and sweaty, Taylor punches his way through the picture in a manner that will win approval from fight game experts, and the male contingent, will not be distasteful to feminine fans unaccustomed to having their celluloid idols mussed up and mauled so thoroughly as is Taylor's fate in the picture. Taylor's amazing performance is exceeded only by the excellence of the picture itself. Played by a great cast of supporting star and assorted pug uglies, The Crowd Roars is thrilling action interposed with heart warming drama and intense situations expertly directed by Richard Thorpe. Only twice in the film is Taylor dressed like someone you'd invite home for dinner. The rest of the time he is almost unrecognizable in ring shorts, towlsed hair and the grimy face of the fighting machine he portrays. In such a role, Metro officials hoped Taylor would win the admiration of male fans who heretofore have resented his classic features, his lady killer roles. Robert Taylor will be a man's man long before The Crowd Roars reaches the sticks.9/17/1938 MPH WHAT THE PICTURE DID FOR ME The Crowd Roars: Robert Taylor, Maureen O'Sullivan , Frank Morgan, Edward Arnold, Lionel Stander—There is no question on this picture. It is highly dramatic and both Taylor and Miss O'Sullivan great in their roles. This little lady is certainly coming along. She seems to take her roles in her stride. She has become deft and sure in the roles we have had her in lately. For a time she was not one of the "Forgotten Men" but the "Forgotten Woman," until Metro picked her up and cast her in good roles. Not forgetting the unsung hero who always adds to any picture that he is in, Lionel Stander. And believe it or not, his name in a cast means something. He is a lot better than some of the palookas that have their name in lights.—A.E. Hancock, Columbia Theatre, Columbia City, Ind. General Patronage. The Crowd Roars: Robert Taylor, Maureen O'Sullivan, Frank Morgan, Lionel Stander, Jane Wyman, Edward Arnold—A picture with all the action of an epic. Frank Morgan is outstanding in his role, as are Jane Wyman and Arnold. Taylor, who in my estimation has only looks and never was a convincing actor, struts his usual stuff. Miss O'Sullivan is her same sugary girl; an actress, no. The picture will go over because it is what the public wants. A show with plenty of action and suspense. An outstanding picture, no, but a money maker, yes. Running time, 92 minutes.—A.J. Inks, Crystal Theatre, Ligonier, Ind. Small Town Patronage.10/6/1938 LAX Behind the Makeup By Erskine Johnson ON THE SETS: EXTERIOR, AIRPLANE HANGER, T.C. FOX STAGE 16-- Alice Faye, Constance Bennett and Jane Wyman are posing for still pictures between scenes on the set of Tailspin, a story of feminine airplane pilots. After taking several pictures of the trio grouped around, a short, stubnosed racing plane, a cameraman suggests that Miss Faye climb a small ladder beside the plane and pose as if she were preparing to step into the cockpit. Miss Faye hesitates, grits her teeth, carefully climbs the ladder and poses for the picture. Two electricians help her down as Miss Faye smiles. "This is funny," she says. "Me playing an airplane pilot and I get dizzy climbing a two-foot ladder."

Chilly? Make Some Chili!

During the Winter months I like to make soups and stews on the weekends in large batches. They make a quick warm lunch during the week. They also tend to be diet friendly, especially those that are bean or lentil based, rather than pasta or potato. One of my faves is good old fashioned chili. My recipe evolved from Callie's, which probably came from my mom. The great thing about recipes like this is that you can pretty much customize them however you like. But here's what I do.Ingredients:1 lb stew beef (cut into even smaller pieces or use ground beef if you prefer)1 15 oz can kidney beans1 15 oz can black beans1 15 oz can diced tomatoes1 6 oz can tomato pastehalf white onion, diced2 cups V-8 (use spicy if you want more heat)1 packet chili seasoning1 lime, halved (not pictured)Steps:Combine beef, onion, and juice from one half of the lime in a skillet over medium-high heat until the beef is browned. Do not cook the beef all the way or it will get tough later.Drain the beans and combine with V-8, chili seasoning mix, juice of remaining lime half, diced tomatoes, and meat/onion mixture in a large pot.Bring to a boil.Reduce heat to low, cover, and let simmer for at least 30 minutes.Stir in tomato paste to thicken.Serve hot. Refrigerate left overs.But the chili is only half the story here. The toppings are where you can really get creative. My mom always served chili with shredded lettuce, cheese, and Fritos. It was awesome. When I got older, I added a dollop of sour cream. But nowadays, I can't really feel good about having Fritos in the house, for obvious reasons. My favorite topping now is diced onion, shredded white cheddar, and mustard. But Fritos on top of that would be awesome. Damn, now I'm thinking about Fritos.

Huffing Their Way Home From School

On Wednesday, March 18, 2009 at 3:53 PM, 1 Company of Los Angeles Firefighters, 4 LAFD Rescue Ambulances, 1 EMS Battalion Captain, 1 Battalion Chief Officer Command Team and LAUSD Police, under the direction of Battalion Chief John Vidovich, responded to a reported overdose at 1839 S. Walton Av. in the Mid-City area. Firefighters responded to reports of several students overdosing from an unknown substance. As Firefighters arrived on scene, they found School Police with 5 teen aged females, ranging in age from 14 to 16 years. Some of the girls were symptomatic. The ladies had been observed by the School Police "huffing" an unknown substance. Huffing, is the abuse of inhalants by middle school children, which has increased by 44 percent over the last few years, according to the Partnership for a Drug-Free America. Huffing brings on a euphoric effect and risks include brain damage and death. Recently, several teens have died after inhaling difluoroethane, a chemical found in a popular computer cleaning spray known as "Dust-Off."The primary inhalant abusers are the 12 to 17 age group, followed by 18 to 25 year olds. Inhalants are one of the few substances younger children abuse more than older children. Sudden death from fatal cardiac arrhythmias is now being reported in teen aged abusers. Death from huffing can occur with first time users. Chronic abuse can result in serious, sometimes irreversible, damage to the heart, liver, kidneys, lungs and brain.Inhalants produce effects similar to alcohol intoxication. Symptoms include: * drowsiness and * lightheadednessContinued use causes: * dizziness * hallucinations or delusions * belligerence and * impaired judgmentThe men and women of the Los Angeles Fire Department, would like to remind parents and adults that we cannot divert our attention from this critical family health issue. Help us in educating others regarding this potential teen epidemic.Additional information can be found at the following websites:Abuse of InhalantsSigns and Symptoms of Inhalant AbuseInhalant UseWhat Parents Should Know(video)Submitted by d'Lisa DaviesLos Angeles Fire Department

Valentine's Food That Helps in Romance

I know it's quite embarrassing but in reality, most couples consider Valentine's Day to be a great opportunity to rekindle the flames in their relationships. It's no wonder that couples will try their best into leading the love into the bedroom for a steamy climax after a very special day. With that said, there are certain foods that can help you achieve this goal, and I hope to contribute some knowledge about these aphrodisiacs in this article.First and foremost, let's talk about the term aphrodisiac and what is it exactly. Well, to put it bluntly, an aphrodisiac is something that arouses our libido. It takes forms in a variety of ways. It can be something that entices the scent, the vision and even the taste. In this case, we're going to focus on taste; particular foods that will get the eater both hot and steamy, but in a good way.So if you're going to prepare Valentine's food in February 14 and if you're going the direction of more romance afterwards, consider preparing food that will wow your sweetheart both in mind and body. For couples who have already been married for a couple of years, adding these ingredients into the mix of foods will help rekindle the fading romance you may once had when you were still newlyweds.First in the list are oysters. Even in the past, oysters had been used frequently to initiate sexual desire among couples. Its hard shell makes it a challenge to open and eat, but nevertheless, many who know the effect of oysters tough it out in order to turn on the charm. Oysters are mostly eaten raw right off the shell, but they can be cooked fried in batter too. In any case you'll want to eat them; they are very well known effective aphrodisiacs.Time and time again, chocolates fit perfectly as a Valentine's food. Now I think the main reason about that is because chocolates act as aphrodisiacs too. Dark chocolate is the type of chocolate you'll need for romance since it contains the largest percentage of cacao among chocolate types. Cacao produces those "feel good" endorphins that will help you get ready for some action in bed. Even ancient people had since used and indulge in cacao drinks before spending nights of lovemaking.Hot spices like peppers are also included in our list of aphrodisiacs. It's no wonder why when we eat hot food, our whole body sometimes feel the heat too while the food goes down our stomachs. The substance responsible for this reaction to the body is called capsaicin, which is contained in hot peppers. It helps speed up metabolism in the body after causing a thermogenic reaction that heat up the senses. Now, that will help steam up the evening much better, right?Now, even if you can only implement one or two of these aphrodisiacs in your prepared Valentine's food, just make sure that you top the dinner off with some alcohol like wine or champagne. No, I'm not saying you get drunk afterwards, just take some in enough to lower your inhibitions and give you a boost of self-confidence. I know that's a little rough, but this is for the sake of rekindling the romantic flame. And on the other hand, alcohol is a great excuse for you to have some fun, so even for just this day, let your feelings get the better of you.There are plenty other aphrodisiacs that can serve well as your Valentine's food in February 14. If some ingredient triggers your senses in a good way, most probably it is one of those. Feel free to use these aphrodisiacs to get both of you in the mood for a perfect and fun Valentine's evening.February 14 is definitely a very perfect day when you can cook some Valentine's food for your special someone. Visit the Food Menu Blog to read more of this article and learn more tips on how to prepare Valentine's food and other cooking ideas that you will certainly love to share with your family and friends.

L.A. Lakers - A Changing of the Guard

Jordan Farmar was on the court. Derek Fisher was on the internet, working his Twitter account (@derekfisher) and not in the building. Derek Fisher was not allowed to be in the arena as he was serving his imposed one game suspension. That was the price for the hard foul on Luis Scola in Game Two. As the starting point guard, Game Three of the playoff series gave Jordan Farmar a chance to extricate himself from Coach Phil Jacksons doghouse. And he did. He had a steady, energetic, focused performance: twelve points, seven assists, five rebounds, only one turnover and some containment of the Houston Rockets speedy guards. The Lakers have to be impressed with Jordan Farmars performance. Although Derek Fisher likely will return to his starting job as point guard for Game Four, Jordan Farmar showed that he can be trusted to set the Lakers offense and to play solid defense. The Lakers can focus on some other concerns: Sasha Vujacic was nicknamed The Machine for his consistency shooting the ball last season. During the pre-playoff season of the 08-09 campaign, Sasha Vujacic has struggled with his shot. The shooting woes continue. In Game Three, Sasha Vujacic had a miserable shooting statistic. He made one shot in six attempts. At some point, Phil Jackson will have to consider alternatives to a seventeen per cent (17%) perimeter shooter. Lamar Odom did not miss any foul shots. Perhaps the more salient observation is that he didnt take any foul shots. It is just a curious statistic on a night where he had sixteen points and thirteen rebounds. In the rebounding category, the Houston Rockets dominated. The rebounding statistics were 56 - 43 in favor of the Rockets. At the offensive end, the Rockets almost doubled the Lakers production: 19 - 10. It is fortunate for the Lakers that they were shooting over fifty five per cent on their three point shots. That three point efficiency, however, fluctuates wildly from game to game. If there was a category for turning-down-open shots, Luke Walton might be the team leader. Although Luke Walton did contribute six points on a two-for-six shooting performance, there were many open opportunities that were not taken. The impression is that Luke Walton has limited confidence in his shot. At some point, the opposition will force Lake Walton to put up his shots and really test his ability to score. Perhaps the most impressive feature of the night for the Lakers was that they built a lead and maintained a lead. They were able to defend the point difference and prevent any late game dramatics. This is noteworthy in light of how many times this Lakers team has surrendered double digit leads. In the closing minutes of Game Three, it was obvious that Yao Ming was struggling with an injury and having trouble moving. He continued to play. Yao Ming is recognized for his height and for his athletic skills at both ends of the court. For example, it is difficult to nearly impossible to stop him on the offensive end if he catches the ball deep in the low post position. In Game Three, Yao Ming showed the great pride that is also a part of his game. If he can play in Game Four, expect to see Yao Ming carry his team. He knows that if the Lakers win Game Four, the outcome of the series will be determined. Catherine Forsythe

1944 jeep

Late 08 Trends - Buraimaku

Here's a quick review of the things that caught my attention during the year that was, 2008.I was hooked on a couple of tv series, as well as some anime. 'Gossip Girl' tops the list, all thanks to hawt Blair. Got introduced to 'How I Met Your Mother' and really liked it's Awesomeness. I caught up with One Tree Hill, Moira Kelly still has me in her spell. Legend of the Seeker, kinda weak, but dibs on the Confessor :P. 'Knight Rider' 2008 version... weak series, but I'd like to take home the new KIT. 'Merlin' ... not so magical.Wasn't so updated with anime this year, just caught up on some older ones. 'Macross Frontier' is the latest addition to the Macross universe, a worthy watch over Macross 7. 'One Piece', zomg 390 episodes and counting, but it is pleasant enough to watch. 'Hajime no Ippo New Challenger' is the continuation of the story; a must-watch.Games: Persona 3 FES rocks. Persona 4 - haven't found time to play, because I know it'll fetch 200+ hours of my life. DOTA here and there.Notable commercials: 'Gloria and Barrack','Ang lakas ko-arthro', 'Makulay ang Buhay'. 'VCO exorcism' and 'VCO long-haired guy'. 'Rexona Men'-cheerleaders.Great new products: 'Schick Quattro' costly but well worth it. 'St.Ives Blemish and Blackhead facial scrub' great cleaning and scent. Old Spice Body Wash. Blue Touch hand soap. Pulpy discharge... I mean Orange. Lucky Me-No cook. Jonas beef mami. Dip n Chkn.

The City Scoop! ~ Art Showcase ~ May 8, 2009

Arts Showcase In The Scoop By VexXxa Monday has arrived. There is going to be a showing at Pocket D and I am hoping to be able to meet the artist that the show will be featured, DARK JEDI. When I read his name, I feel like I should be hearing some sort of thunderous dun-dun-dun music in the background. My old friend Neko Fury, who is also an artist, is in town for a few days and has agreed to join me for the show. Neko and I plan to leave early to try to get there before the crowd that is bound to attend the event. We arrive to see that this is a red carpet affair with cameras and bright lights everywhere! We exit the limo and are escorted quickly to the Lord Recluse Gallery. As we enter the gallery, we receive glasses of champagne and spot several celebrities of note. The room looks totally awesome with dim lights and candles all over. The artwork is placed about all around the room. Some pieces are hanging on the walls, and others are on fancy easels with golden lights shining onto the work. I am quite impressed with what I see, and the gallery is quite crowded with many of Dark Jedi's supporters and fans. As Neko and I are escorted into the main gallery, we are brought over to the man of the evening, Dark Jedi (aka: Light-Speed), who looks very nice in his black and gold tux. Very classy! I ask Dark Jedi to tell us a little bit more about himself. "Well, " he starts off, "I have been a member of the City of* family since day one – launch day. Actually, about three weeks before launch when I received my beta invite. I have lived on Victory ever since then. Victory forever! I have also been a member of a really strong Supergroup named LoneSTAR since right after launch and we've all stuck together through the years. It's a great group of people. " Dark Jedi brings us over to the piece he did on Comrade Hero. Awesome piece of art! Dark Jedi says to us "Comrade Hero was described to me as a powerful hero of the Russian people, and therefore needed to be placed in front of a notable monument. The Mamayev Kurgen was selected and I modeled her to be placed in the background. A very impressive piece. There is soft classical music playing in the background among the softly lit gallery. The ambiance is fantastic, but I wonder where the orchestra has been hidden. I see a huge mural across the room where the music seems to be coming from. I'll have to see if Dark Jedi can bring us to that one sometime tonight. I ask Dark Jedi about how old he was when he started dabbling with his artistic talent. "I remember having my mother show my drawings to other family members when I was about 5 or 6 years old. I also have vague memories of correcting other kids' drawings in second grade and they actually listened to my critiques, so I guess it was pretty early. I'd always been an 'A' student in art, but looking back, I don't think I did anything good until college. Before that, it's all just simple line drawings on school notebook paper. " We walk over to an art piece of Juggertha. Also, awesomely done! Dark Jedi fills us in on a little bit about this piece. "Juggertha was a lot of fun to pull together due to the opportunity to render his destructive path. Computers render relatively clean environments, so I spent a lot of time 'dirtying' up the setting. " Next to that piece was another City of Heroes piece, which was naturally fabulously done. Dark Jedi smiles as he explains this piece to Neko and me. "Here we have The Vanguard League. This piece was done for the Vanguard League, a supergroup located on the Victory server in the City Of Heroes. I received a ton of screenshot references for their in-game models and tried to replicate the characters as closely as possible. As a result, this piece took several months to complete. Ensuring every character had equal treatment was an added challenge, but I'm very happy with the results. " I was curious to know what Dark Jedi's art pieces were like when he was growing up, so I asked and he replied, "I used to draw Easter Bunnies. Yes, Easter Bunnies. Complete with a basket of eggs and everything. All the time. Hey, I was 6. I used to draw in school all the time. It was kind of distracting having sketches everywhere and no actual notes, so my mother took my pencils away. She figured if I had nothing but ball-point pens, I'd have to pay attention. As a result, I can now draw very elegantly with a ball-point pen. It's amazing the level of shading that can be achieved with a pen! " As Dark Jedi leads us over to the mural, LoneSTAR Lineup, where the orchestra is most definitely performing behind, I ask Dark Jedi what is his favorite piece of work that he has done thus far. Dark Jedi shares, "I would have to say I'm caught between two. One of my favorites is the piece I did for the cover of Fanzine number 1 that features Statesman and Lord Recluse fighting back to back against the Rikti Invasion. My other favorite for its sheer scope HAS to be the piece I did featuring my entire supergroup; 42 heroes all modeled and rendered in 3D. It took several months of daily work to assemble and is over 6 feet wide when printed. " Neko and I stand staring at the amazing detail of the LoneSTAR mural. I turn to Dark Jedi and asked him what he used to create it. Dark Jedi said with a proud smile, "I've become a huge digital art fan. I used many of the standard 3D programs including MAYA for the core modeling, Poser for the human models, and VUE for the rendering processes. Of course, a liberal amount of Photoshop goes into every stage, too. " As I take another look around the gallery, I am so amazed at what I see! I ask Dark Jedi where he gets his inspiration from, and he thought for a moment and then replied, "I read a lot of comics, watch plenty of Science-Fiction, and play computer games almost nightly. I have a sketchpad next to my computers so when a commercial or TV show sparks an idea, I can scribble a thumbnail immediately to preserve the immediacy of the concept. If an image gets overworked, it can suffer... so getting that initial energy is vital. " The evening was getting late and I already had ideas for my article floating around my head. I asked Dark Jedi if he wanted to say anything special to his fans and the City Scoop readers. He quickly replied, "If someone wants to be an artist, just keep drawing! Listen to other's feedback, but make your own choices about what you want to do creatively. Learn from observing, and don't be too proud to criticize your own work. My own personal 'self-improvement plan' is, whenever I finish a piece, I try to find three flaws in it that I could do better next time. That way I'm always pushing forward to make each piece better than the last. " With that, Neko and I thanked Dark Jedi for his hospitality and congratulated him on the success of his show. Writer's note: For anyone who is interested in viewing Douglas Shuler's (aka: Dark Jedi) art work, you may visit his websites at http://www.douglasshuler.com/ or http://douglasshuler.deviantart.com/ "Bring me your visions " - VexXxa

JILL + BRETT

Jill & Brett had a wonderful wedding in the quaint town of Ferdinand, in the rolling hills of Southern Indiana! It was such a great day, full of tons of love, laughter and joy! After days of rain and a forecast that didnt look promising, Jill & Brent took matters into their own hands and followed a tradition they heard about by putting a rosary out on the clothes line to ward off the rain. I hadnt heard of it but I was hoping for the best and as I pulled up to photograph the rosary, the rain stopped and the sun came out! It stayed out for the majority of the day&and was amazing! Note to future brides! Thank you for allowing me to share your incredible day with you, Jill & Brett&all my love! Hope Aruba has been great!

Voltron.

GM CEO: Bankruptcy Likely; Firm May Leave Detroit

( They mean&We Are Leaving The Country&Paul) By: Reuters 11 May 2009 General Motors is open to considering moving its headquarters from Detroit, selling off U.S. plants and even renegotiating parts of its restructuring plan with its major union, the new chief executive said Monday. Its more probable that we would need to accomplish our goals in a bankruptcy, Henderson said. Theres still a chance for it to be done outside a court proceeding. A move by GM to leave Detroit would represent another blow for the economy of a region already reeling from the bankruptcy of Chrysler and the sharp downturn in auto manufacturing. GM purchased its glass-towered headquarter building known as Detroits Renaissance Center last year for $625 million. The 100-year-old automaker has been based there since 1996. As we look at the structure, look at the business, were looking at everything, particularly as we slim, Henderson said. At this point, I dont have anything to report. We dont have any such plans, but if we did it would be motivated by business rationale, which would be cost-efficiency and speed. GM has until June 1 to reach deals that would slash debt owed to bondholders and the United Auto Workers union and to win concessions from the union that would cut operating costs for its remaining U.S. plants under terms set by the Obama administrations autos task force. It has already told bondholders that it would miss a June 1 debt payment of $1 billion. The automaker has also restarted talks with the Canadian Auto Workers union, which just agreed to a set of sweeping concessions for Chrysler, Henderson said. The UAW, which is crucial to GMs turnaround plans since it is also a major creditor, has raised strong objections to GM plans to increase vehicle imports from plants in Mexico and Korea, saying that runs against the job-saving intent of the U.S. governments support for the automaker. GMs current restructuring plan, which is supported by the U.S. autos task force headed by former investment banker Steve Rattner, would cut about 21,000 more U.S. factory jobs. But Henderson said GM was ready to negotiate everything with the UAW in talks now underway. This is something that we would want to have a dialogue with them, he said. Reuters.com

Leather and Other Stuff

SO I love Paper Temptress Leather CS (which is 40% off this month!!), and it is perfect for Theresa's new "Out West" set! Although Patricia doesn't currently carry it in brown, you can create a custom color by inking up her white or ivory leather CS and this will have a more realistic-looking patina than a solid brown finish would. The piece on the right is ivory, the piece on the left is ivory I sponged with Antique Linen and Rich Cocoa inks. I stamped the boots onto the same paper and shaded them with my Copics, the colorless blender moves the ink around so nicely on this paper.I also used my Scor Bug to create a pierced outline around the mat, as well as just free-handing some curved pierced lines all over it to mimic the tooled design on the boots. (I had a moment of Uh-oh, I don't know this is going to look!) but I think it turned out really nice, yay! (whew!) I used the Labels One die and Fancy Corner punches, leaving them ivory for contrast and a two tone effect(labels One die was sponged a tiny bit with the stencil in place to make the outline pop. Base and oval frame are Gina K Pure Luxury Chocolate Kiss. So how do you like the fancy edge on that brown frame? You can make it with the Scalloped Oval Nestabilites. Cut out a scalloped oval like you normally would (I also cut out a smaller classic oval to make the window) and then offset the scalloped die so it will cut into the middle of each hump, it gives you this super fancy edge when you cut it again! Because the oval is not symmetrical in the way a circle is when you offset it like this you get these small and large humps, but if you do it with a die like a circle, you can fake the "Pinking Circles" set of Nestabilities dies, see below.Here I'm using the petite scalloped circle die. I've already cut my red paper and rotated it just slightly so I see a little "arrowhead" pointing inward between each hump. After you run it back through, the little piece will fall out and you have a perfectly "pinked" edge! You can get this effect with the regular scalloped dies as well, you'll just have bigger points. Although I have MOST of the Nestabilities sets, the pinking edge is not a set I ever bought, although it really looks cools with certain images, so this way, I don't have to buy them! (and you don't either! that's $25 you save! ) :)Here's to faking it!

2008 Bitter and Sweet

2008 was a tough year for me. My mettle was tested to the limit professionally. I came out of it stronger, wiser and recognized for my value. If we could only become wise without the struggle!Cancer scares - some real, some mistaken. some battles won, some battles lost.One brother's new union not recognized by law, one sister divorces. A decision to move on from my little East Village apartment in 2009 in search of space, quiet and nature. The economy collapses. In terms of my sisters and brothers, three out of five lost their jobs - an investment banker, a marketing research expert, a top magazine editor. Then November came and the spirits that built this beautiful country came alive again. We have tremendous challenges ahead and I look forward to being part of the solution. Cheers to all of you! May the New Year bring you good health, courage and much laughter.

Cleveland Indians Team Report

INSIDE PITCH The Indians snapped a four-game losing streak with a 9-4 win over Chicago on Monday, a rare night in which all areas of the team excelled. The Indians got a well-pitched game from starter Carl Pavano, they got several timely hits, and the defense and bullpen were up to the task of preserving the lead. All of those elements have been missing for much of the first two months of the season. That includes the starting pitching the Indians received from Pavano. The veteran right-hander got off to a disastrous start this season, giving up nine runs in one inning in his first start. He has been playing catchup ever since but has quietly begun to resurrect his season. In his last three starts, Pavano is 3-0 with a 3.66 ERA. His overall numbers 3-3 with a 6.45 ERA still show the effects of his rocky first start. But he has been solid in his last three. It’s that kind of recovery that manager Eric Wedge hopes to see from the many other Indians players who have gotten off to poor starts individually, which has led to the team getting off to a poor start overall. INDIANS 9, WHITE SOX 4: RHP Carl Pavano pitched into the seventh inning to get the win and SS Jhonny Peralta had his second consecutive three-hit game as the Indians snapped a four-game losing streak. Peralta also had three RBI, as did OF Shin-Soo Choo.NOTES, QUOTESThe Indians scored two runs in the first inning Monday. It marked the first time this month the Indians scored a run in the first inning.RHP Fausto Carmona pitched into the seventh inning, allowing two runs, but still got tagged with the loss Saturday as the Indians lost to the Tigers 4-0. The Indians also lost 1-0 on Friday. It's the first time the Indians have been shut out in consecutive games since the White Sox blanked them on July 21 and 22, 2004. It's the first time in 44 years, since May 28-29, 1965, that the Tigers have shut out the Indians in consecutive games.RHP Rafael Betancourt on Saturday made his 357th career appearance with the Indians. That ties him with George Uhle (1919-28, 1936) for 10th place on the club's all-time list for games pitched.BY THE NUMBERS: 0-6 Indians' record at home on Fridays and Saturdays this season.QUOTE TO NOTE: "We can't give into it. If you give in to it, the game will beat you down." Manager Eric Wedge, after the last-place Indians were shut out in consecutive games by Detroit.ROSTER REPORTSS Jhonny Peralta, who had been mired in a season-long slump, had his second consecutive three-hit game Monday. Over the last two games Peralta is 6-for-9, raising his batting average to .246.CF Grady Sizemore, whose batting average has hovered in the low .200s and whose on-base percentage has been in the low .300s, could be moved out of the leadoff spot if his slump continues much longer. Manager Eric Wedge says he wouldn’t rule anything out at this point. "At this point we’re looking at everything," said Wedge.RHP Carl Pavano, who gave up nine runs in on inning in his first start of the season and after four starts was 0-3 with a 9.50 ERA, has begun to turn his season around. In his last three starts Pavano is 3-0 with a 3.66 ERA.RHP Jake Westbrook, rehabbing from Tommy John surgery last year, has begun to throw one-inning stints in extended spring games in Goodyear, Ariz. Indians officials hope to have Westbrook back by the last half of June. MEDICAL WATCH: RHP Joe Smith (strained right rotator cuff) went on the 15-day disabled list retroactive to April 29. DH Travis Hafner (weakness in right shoulder) went on the 15-day disabled list April 29. He might return as soon as he's eligible, manager Eric Wedge said. RHP Scott Lewis (strained left elbow) went on the 15-day disabled list April 11. He is unlikely to return before mid-May. INF Jamey Carroll (broken left hand) went on the 15-day disabled list April 6. He will be out four to six weeks, but he won't need surgery. RHP Jake Westbrook (Tommy John surgery in June 2008) went on the 60-day disabled list March 26. He hopes to be pitching in the big leagues again by midseason. ROTATION: LHP Cliff Lee RHP Fausto Carmona RHP Carl Pavano RHP Anthony Reyes LHP Jeremy Sowers BULLPEN: RHP Kerry Wood (closer) RHP Rafael Betancourt LHP Aaron Laffey RHP Jensen Lewis RHP Masa Kobayashi LHP Tony Sipp RHP Matt Herges CATCHERS: Victor Martinez Kelly Shoppach INFIELDERS: 1B Ryan Garko 2B Asdrubal Cabrera SS Jhonny Peralta 3B Mark DeRosa INF Luis Valbuena INF Josh Barfield OUTFIELDERS: LF Ben Francisco CF Grady Sizemore RF Shin-Soo Choo OF David Dellucci OF Matt LaPorta

BBC Newsround comes to Fraserburgh!

Earlier last week LTS was contacted by BBC Newsround and asked if we’d be able to accommodate a visit by them to a school that has been using Dr Kawashima’s Brain Training. Apparently they had picked up on an article in The Scotsman that was questioning the costs of such a venture and the suggestion that schools were being ‘urged to spend’ on games consoles. At short notice Fraserburgh South Park PS were able to offer a venue for the ‘shoot’ and it was all systems go and up to the Broch everyone headed! The BBC crew arrive and duly made their way to the P.6 class who were to play the starring role. Fraserburgh South Park was one of the primary schools involved in our extended Kawashima trial that we carried out last summer. The school was, however, one of the control groups and after their go with the consoles and games they decided to allocate some of their own funds to purchase their own set of consoles and some games. The BBC engagement was interesting. They spent a bit of time interviewing me and asked me to remember that I was speaking to a young audience, Now, I thought I would manage that quite well but it became quite difficult to distil what we have been trying to do into a quick soundbite for children’s TV. I was directed in some way to saying that using the game was fun and better than boring maths but I don’t believe that that’s what it is about. There’s so much more to this than having fun with a computer game. They eventually got something that they were happy with and then made their way to the class. The eager Newsround stars of P.6 were very excited by the arrival of the BBC Newsround people and it must be said that each and every one of them conducted themselves in a manner that must have delighted their Headteacher. They were polite, friendly and very willing to talk openly about what they thought the use of games in the classroom meant for them. If the story about costs is what the BBC Newsround team were more focused on then I think they really missed the point. If you have a look at the clips on the Newsround website where the children are interviewed you can hear how much they think the intervention has helped them. Each response from the children was better then the previous one with one boy in particular talking about how the game has really helped him with his maths because he now feels much more confident and doesn’t feel that it’s such a struggle any more. Every time I hear comments such as this I smile. I have to ask Newsround a question though and it is was the decision to go on the costs issue the right one in terms of presenting this idea as an issue for debate to their audience? Shouldn’t they have been debating the efficacy of such an undertaking? I cant help feeling that they may have missed an opportunity here to present the real issue to their audience. Irrespective of whether the children were asked to look glum by the BBC people as they constructed their piece that talked about moving from old school pencil and paper (look glum please) to new school (games consoles and now smile) or if I was slightly disappointed about the focus of the piece the visit and subsequent coverage turned out to be another positive experience for Scottish children and further positive exposure of the work we are doing. One last thing, the Campaign for Real Education person they rolled out this time talked about schools having money to burn, this being a crazy idea and that children need to do maths - well have a look at this. On my arrival at the school I was told about a boy who was able to do the x20 game in Dr Kawashima in 9 seconds! Yes 9 seconds!!! I had to see this for myself so they went and brought this ridiculously talented lad to me as I couldn’t believe he had bettered my best time of 10 seconds! Who did he think he was! I watched him do it in 13 seconds but saw his profile and look for yourself…9 seconds: Brilliant stuff young man! This is why we feel games have a place in school. We believe that our work in this paricular context has helped make it an aspiration for children to be as good as they can possibly be at mental maths,. How can anyone suggest, with such fundamental zeal, that this is a crazy idea? Thanks to all in Aberdeenshire, Fraserburgh South Park and the BBC for a great day and for showcasing the innovative, yet informed, work with games and learning that we are willing to explore in Scotland.

Isis the Scientist's Rules for Pseudonymous Blogging ]

There's a buzz about the blogosphere today. Frequent commenter and friend of the blog Damn Good Technician has had to close up shop after being outted by the powers that be at Big Pharma. They were apparently unamused with the candor of DGT's blog. Many of us choose to write under pseudonyms and I think it is a damned shame that Big Pharma reacted so poorly to DGT's blog. I think that blogs play very important roles in community building, information sharing, and mentoring. Also, some of them are hilarious. While blogs are becoming more mainstream in science, which is usually 5-10 years behind popular culture, the fact remains that many don't see their value. Worse, some view them as a waste of time or harmful to the institutions the bloggers represent. These people potentially have the ability to impact our careers. Some choose to blog pseudonymously in order to discuss things they would not be comfortable having linked to their name in a trivial Google search. I think there is absolutely nothing wrong with that, provided one does not forget the thin veil pseudonymity provides. I think that people who choose to out pseudonymous bloggers are asshats who appreciate nothing more than their narrow view of the universe. But, that is not the only reason to blog pseudonymously. I choose to blog as "Isis the Scientist" instead of under my real name because it is my desire to keep my work and blog lives separate. Even though some may have tried to guess who I am, I do not want to give the impression that it would ever be acceptable to approach my real-life self uninvited at a meeting or after a talk to speak with "Dr. Isis." I love my bloggy peeps, but research time and family time are precious to me, and I try to guard it as fiercely as I can. I keep my Isis the Scientist email separate from my MRU email and don't co-mingle my domains. Figure 1: Dr. Isis guards her science time and is totally hot while doing it. Also, her shoes are amazing. That said, I know that many of you are new pseudonymous readers to this blog and may not have been around for the previous talk about pseudonymity in the blogosphere. I thought I would share the rules I try to live by when it comes my bloggy shenanigans. Read the rest of this post... Read the comments on this post

Texas Charges Victims for Rape Kits

Via Think Progress, this is absolutely disgusting and obscene. CNN reports that rape victims in Texas are being charged for their own rape kits, to the tune of well over $1,000 no less:
Embedded video from CNN Video
A Houston paper reports:
Attorney Generals spokesman Jerry Strickland said the crime victim fund is enforcing strict guidelines imposed by the legislature as to which bills are paid and which victims are sent a denial notice.
Otherwise, he said that fund could become insolvent.
He said state law is clear that crime victims must exhaust all other potential funding sources, such as local police or their own health insurance.
The legislature set it up that way, said Strickland.
When asked for a number of how many denial letters had been sent out to Texas rape victims in the past, Strickland did not have an answer after checking with his crime victims compensation office workers.
Emphasis mine.
Yes, the law is apparently set up so that its a rape victims responsibility to figure out how to pay for her own rape kit. Not the states. And this is despite the fact that millions and millions of dollars sit untouched in the fund.
I know what its like to be raped. But I cant even begin to imagine what its like to be raped and then charged a ridiculous sum of money as a direct result. I cant imagine what its like to be raped and then be billed for it several months later. It absolutely churns my stomach, though.
The victim featured in this case has had her bills dropped by the hospital as a result of the media attention. But how many women have not gone to the media and just paid? How many didnt go the media and had their credit ruined because they couldnt pay? And how many will fall into both categories after this point?
Further, we know that this is a problem that goes beyond Texas. Numerous states reportedly charge victims, despite the fact that it violates conditions of receiving grants under VAWA. And the real rub is that governments largely get their power to charge rape victims without attention due to the rape culture that breeds shame and stigma, and therefore keeps victims quiet.

From Impermanence to Emptiness: Madhyamaka and Momentariness

For many people, fear of old age or of death is replaced by an anxiety about the implacable tread of Time. This phantasmal but ever-present antagonist becomes a stand-in for the future imponderables which have less of a grip on their imagination. They turn to philosophies of time not from speculative curiosity, but in search of relief from the oppression caused by the incessant falling of sand in the hourglass, by the dismaying speed with which the quiet lapse of hours converts into an unbelievable – yet unchallengeable – reckoning of vanished years. Often the philosophers are more than happy to respond to their demand, with bland assurances that “time, like space, has most evidently proved not to be real, but to be a contradictory appearance” (Bradley, 36). If a deconstruction of time is called for, who holds out more promise than Nâgârjuna, the most radical of the Buddhist philosophers? In its rigid structure, its unfaltering rhythm, its undeniable, ever-present insistence, time would appear to have the character of intrinsic existence (svabhâva), which Nâgârjuna systematically refutes. His doctrine that all phenomena are empty (sunya) of such existence promises to end the fret of our chafing against the chain of time.

Lazy Sunday Afternoon

The sun was shining and the bees buzzing and I started to read my book that I got for my birthday The Blue Tattoo: The Life of Olive Oatman ."Within a decade, she was a white Indian with a chin tattoo, caught between cultures. "The Blue Tattoo" tells the harrowing story of this forgotten heroine of frontier America. Orphaned when her family was brutally killed by Yavapais Indians, Oatman lived as a slave to her captors for a year before being traded to the Mohave, who tattooed her face and raised her as their own."It is interesting to see how tattoos once considered savage/or common are now accepted culturally and socially.Indigenous Tattoos resurface after 95 yearsTattoo History MuseumMaori face design on a stone, maori call it Tā mokoThis is" Sweetum's" who lives on a shelf in Yellow Springs somewhere.I found the doll at a Garage Sale and painted her with black gesso, sponged white acrylic paint, black acrylic for the designs, and a final coat of resin.So, err even Barbie has tattoos now, ahem!Tattoo Barbie ProjectTattoo Doll Project

French plane lost in ocean storm

An Air France plane carrying 228 people from Brazil to France has vanished
over the Atlantic after flying into turbulence, airline officials say.
The Airbus sent an automatic message at 0214 GMT, four hours after leaving
Rio de Janeiro, reporting a short circuit. It may have been damaged by
lightning.

Sony VAIO VGN-FW390JAS Laptop | Save $350

Sony VAIO VGN-FW390JAS LaptopIntel Core 2 Duo P8600 2.4GHz (1066MHz FSB, 3MB L2 Cache) CPU, 4GB DDR2 Memory, 250GB Hard Disk, ATI Mobility Radeon HD 3650 with 512MB of Dedicated Video MemoryDimensions: 15.1" x 10.3" x 1.14-1.46", Weight: 6.7 lbs.Screen Size: 16.4", Resolution: 1600 x 900, LCD Features: XBRITE-ECO technology, Integrated Sound card and Internal SpeakersOptical Drive: DVD±R Double Layer/DVD±RW DriveWLAN: Intel WiFi Link 5100AGN (802.11a/b/g/n) and BluetoothThe VAIO FW notebook offers the power and convenience of a desktop packaged in a thin-and-light 16.4" display multimedia PC. The smooth, curved lines of the VAIO FW notebook are as functional as they are attractive. From the iconic cylindrical hinge to the sloping bezel where the keyboard meets the display, every last inch of this notebook is designed to maximize viewing area while minimizing size. The result: an innovative PC with a 16.4" LCD that combines all the benefits of a 17" widescreen display with the dimensions or "footprint" of a smaller 15.4" model.A great productivity tool, the VAIO FW notebook's extended widescreen display lets you view two documents or web sites side-by-side without tabbing back and forth. Next-gen Intel Centrino 2 Processor Technology delivers unprecedented processing power, expanded wireless connectivity, enhanced multimedia support and greater efficiency. Add to this loads of RAM, ample storage and an array of inputs/outputs, and you get desktop power and convenience packed into a highly mobile notebook. The FW notebook is ideal for those in the creative fields. The spacious 16.4" widescreen display can easily accommodate multi-display design programs.